PUBLICATIONS Alessandrini, P., Abtan, F. Mondgewächse: a Collaborative Methodology for Audiovisual Mappings in Inclusive Instrument Design. Short paper and demo, New Instruments for Musical Expression (NIME) Birmingham, 2020. Recipient of the NIME 2020 Accessibility Award. Alessandrini, P. Five suggestions for an aspiring composition teacher: towards an inclusive composition pedagogy. Tempo, Volume 76 , Issue 302 , Cambridge University Press, October 2022 Alessandrini, P. Not all ideas are the same: challenging dominant discourses and re- imaging computer music research. ICMA Array 2017-2018, 7-14. Alessandrini, P. A Little Bit of Noise. Scientific Delirium Madness 6.0: Gallery. Leonardo, MIT Press, April 2020 Alessandrini, P., Knotts, S., editors. Special edition of Array, publication of the International Computer Music Association, focused on practice-based perspectives in electronic and computer music through the lens of intersectional feminism, 2017-8 (limited preview release for ICMC 2017 – Shanghai; re-edited, full digital and print release, Autumn 2018) Alessandrini, P., Zhu, J. Parlour Sounds: working towards a feminist theory of music technology through a critical compositional process. Sound Work: Composition as Critical Technical Practice. ed. Jonathan Impett. Leuven University Press / Orpheus Institute, 2021 Zagorac, S., Alessandrini, P. ZSCORE: A Distributed system for integrated mixed music composition and performance. Fourth International Conference on Technologies for Music Notation and Representation - TENOR 2018 Conference, Montréal Alessandrini, P., Rutherford, T. A Spectral Methodology of the Cultural and the Physical. Oxford Handbook of Spectral Music, ed A. Bauer, L. Cagney, W. Mason, Oxford University Press, 2021 (currently under development, publication delayed due to COVID-19) Alessandrini, P. Resisting reproduction in the digital age: notes on a sonic arts practice. [Att göra motstånd mot reproduktion i den digitala eran: anteckningar kring en ljudkonstpraktik], Nutida New Music, December 2017, Stockholm Alessandrini, P. A Dress or a Straightjacket? Facing the Questions of Structure and Rhythm Posed by the Notation and Re-notation of Berios Sequenza VII for Oboe, in Berios Sequenzas, Janet K. Halfyard, ed., Ashgate, 2007 Alessandrini, P. A Computer-Assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio’s Sequenza VII. Proceedings, Sound and Music Computing – SMC 2007, Marseille. Alessandrini, P. Forthcoming contribution to “Was machen Komponistinnen den ganzen Tag?“, ed. S. Matthew, J. Saunders, MusikTexte 176- February 2023